In the interview, Mr. Ehikhamenor said the Ife head “ is very, very famous.”
“It’s one of the most intricate and most beautiful works of art that were created by classical African artists,” he continued.
(CNN) - English artist Damien Hirst has been accused of cultural appropriation after his exhibition, "Treasures from the Wreck of the Unbelievable," featured a "golden head" that appears to mirror sculpted heads created by African artists from Ile-Ife Nigeria. Cradle of the West African Yoruba culture.
"For the thousands of viewers seeing this for the first time, they won't think Ife, they won't think Nigeria," Nigerian visual artist Victor Ehikhamenor wrote on his Instagram page, along with a picture he took of Hirst's "golden head" behind glass.
"The British are back for more from 1897 to 2017. The Ooni of Ife must hear this. "Golden heads (Female)" by Damien Hirst currently part of his Venice show "Treasures from the Wreck of the Unbelievable" at Palazzo Grassi. For the thousands of viewers seeing this for the first time, they won't think Ife, they won't think Nigeria. Their young ones will grow up to know this work as Damien Hirst's. As time passes it will pass for a Damien Hirst regardless of his small print caption. The narrative will shift and the young Ife or Nigerian contemporary artist will someday be told by a long nose critic "Your work reminds me of Damien Hirst's Golden Head". We need more biographers for our forgotten. #ifesculptures #classicnigerianart #workbynigerianartist #ifenigeria #lestweforget #nigeria #abiographyoftheforgotten"
"Their young ones will grow up to know this work as Damien Hirst's. The narrative will shift and the young Ife or Nigerian contemporary artist will someday be told by a long nose critique, 'Your work reminds me of Damien Hirst's Golden Head,'" wrote Ehikhamenor, who with Hirst is exhibiting this year at the Venice Biennale.
A spokesperson for Damien Hirst said: "The Treasures are a collection of works influenced by a wide range of cultures and stories from across the globe and throughout history -- indeed many of the works celebrate original and important artworks from the past.
"A reference to the Ife heads is in the text accompanying the work and in the guide to the exhibition and is integral to the concept of the work."
Hirst initially declined to talk with CNN, instead referring questions through a spokesperson to curator Elena Geuna.
"The exhibition features two types of captions: the label inside the cabinet, which is part of the artwork and the leaflet, describing the works in the show," Geuna told CNN. "Both captions contain a reference to the Ife heads." The label inside the cabinet on Hirst's piece reads: "Golden heads (Female),'" and the Kingdom of Ife is referenced there and in the guide.
"One of the sources of inspiration for the exhibition is the collection of the British Museum, in London, where the Ife heads are displayed," Geuna said. "An Ife head from the British Museum collection has also been included in the famous book, 'A History of the World in 100 Objects' by the former museum director Neil MacGregor."
"The Damien Hirst work does mirror that of the Ife craftsmen of the early 14th-15th Century," the SOAS statement read. "The form of the Hirst head, with its striations, clearly echoes those Ife examples which emerged from the sacred shrine at Wunmonije Compound in the 1930s."
This is a landmark year at the Venice Biennale for Nigeria, which for the first time has its own pavilion. Ehikhamenor is one of three artists exhibiting in that pavilion, alongside Peju Alatise and Qudus Onikeku.